Tong Yang-tze transformed calligraphy into a visual representation of lines and words, while adhering to the cultural aesthetic quality of Eastern calligraphy, making her calligraphy an exuberant masterpiece, with reference to works of Yan Zhen-xin, Wei rubbings, Su Shi and Huang Ting-jian. This piece was skillfully depicted on gold-coated paper in a scholastic beauty of Ming and Qing. Strokes were expressive on this gigantic panel. As Tai Jing-nong once commented on Tong's work with a beauty of masculinity, the three characters of this work can be viewed as a perfect balance of masculinity and fluidity. From the structure, the spacing to the arrangement of the characters, this work shows a scene of harmony, an essential philosophy in Chinese culture through to Chinese art and landscape paintings.