The origin of the infinite network of creations stems not only from the mental illness that has plagued Yayoi Kusama for many years, but was also inspired from a concept that the artist saw the Pacific Ocean on the flight when she traveled to New York, and then fluctu- ated and expanded the sea network. From the mind to the canvas: this is also the reason why we can see a lot of paintings in Japanese kanji “wave” (ie water surface) in her works today. This piece was created by Kusama Yayoi in 1988, “The Wave of Midsummer”, which is comprised entirely of the most popular colors of the artist - red and black, and is used as a memory for the midsummer ocean. If we compare the colors of the hot and the hot to the midsummer, the dense black lines of the full picture represent the surface of the ocean which is turbulent due to the tides. An “unlimited net” com- posed of black thin lines covers the black tide. The lay- ered fine composition brings not only a multi-level visual experience to the picture, but the overlapping ripples are even more awe-inspiring. The moment this thought rises in the brain, it is like returning to the era when the artist was exposed to the sun – the wave of the midsum- mer.